Tuesday, 16 December 2025

Dirty Harry / Magnum Force 1975 Double-Bill release – Celebrating 50 Years!

Dirty Harry / Magnum Force 1975 Double-Bill release – Celebrating 50 Years! 
It was only when I was restoring an old Warner Bros ad this morning when I realised that this great pairing from 1975 was in fact 50 years ago! It’s incredible how the time flies. So considering how we are just a week or so away from Christmas I thought I’d gather some of the double Bill stuff together and post it here while there was still a little of 2025 left. 

Warner Brothers actually made rather a big deal out of these 2 movies, and gave the Double Bill quite an extensive promotional campaign. The programme was actually launched on both sides of the Atlantic running in both the U.S. and the U.K. In America it was tagged as ‘Double Trouble’ and did incredibly well at the Box Office. It was a summer release, and it appeared that the public couldn’t get enough of their favourite cop. 
Eastwood was right in the middle of making his permanent move from Universal to Warner Brothers, so giving these 2 big hitters another run probably proved a lucrative move for Warner Bros, plus of course the perfect piece of advance publicity for the up-and-coming production and third Dirty Harry outing, The Enforcer (1976). The Enforcer would be ready for general release in the December of 1976 both in the U.S. and U.K. 

It's a pity no-one came up with double bill set of Lobby cards to support this release – especially as there was a nice poster campaign. I can’t help thinking that was a bit of a lost opportunity. 
Below: The U.S. Pressbook
Below: Word first came about when this funky double page ad appeared in the Variety Trade paper. The double-Bill appeared alongside Gene Hackman’s latest; Night Moves and the George Pal adventure movie, Doc Savage. Paul Newman’s latest The Drowning Pool, a sequel to Harper (UK The Moving Target) was also featured in the spread. 
In America a full One Sheet poster and Half Sheet poster were produced providing us with a mirror image of Harry Callahan and two protruding 44 Magnum barrels – an imposing image that couldn’t fail to draw attention. The was also a U.S. pressbook which helped (if it were ever needed) to push the action to the cinema chains and press.  
Below: The U.S. One Sheet 
Below: The U.S. Half Sheet
In the UK we were treated to a nice full Quad poster and an attractive Double Crown. What’s interesting in all these posters is the lack of any coloured imagery. All of the formats used stark, previously used artwork all of which was in b/w. Whilst the U.S. campaign used a photo image (from Magnum Force) – the U.K. marketing used bold artwork which was a simple reworking of the individual quad designs – all with a strong red border which looked effective and memorable. 
There are still plenty of examples of these posters on the markets all of which still fetch quite a price. That said, don’t expect to see too many of the rare U.K. Double Crown – they are very scarce indeed and you can expect to pay a hefty premium price if and when one should surface. 
Below: The UK Quad Posters including the Rare text only version
Below: A very rare example of the UK Double Crown poster
Below: Some incredibly Rare Original Newspaper ads for the Double-Bill and look to be from Australia





Flashback: Clint and Sondra - The 6th Deauville American Film Festival 5th to 11th September 1980


Flashback: Clint and Sondra - The 6th Deauville American Film Festival 5th to 11th September 1980
The actor Danny Kaye opened the festival officially, arriving on the Casino cinema’s stage on all fours, without a word said but with a loud blast on a whistle! Elia Kazan, to whom the festival was paying tribute, cancelled his attendance following the death of his wife, the director Barbara Loden, whose film Wanda was screened at the festival on the very day she died. The others receiving tributes that year were Danny Kaye, Glenn Ford, Yul Brynner and, for his first tribute, Clint Eastwood. The heads of 35 major Hollywood studios held their governing board meetings in Deauville, during the festival.

Both Clint and Sondra presented their latest film Bronco Billy, marking a significant moment in their professional collaboration and personal relationship, which was highlighted by their presence at this major European film event. 

In some ways, it was this event that signified that Clint and Sondra were an official couple, even though it was already a year or two down the line. It was that famous beach walk they took which found itself presented all over the press. There was just an overall feeling that for the first time everything was out in the open – perhaps it was a conscious effort, to perhaps put an end to the countless rumours and speculation– that’s certainly how it felt anyway.  

I thought I’d pull out a few photos I have on file, and one which captured Clint stopping off at London’s Heathrow Airport on his return to Los Angeles on September 16th 1980. The photo also captures film producer Fritz Manes (1932-2011) following close behind. 
Below: Clint on his return at Heathrow Airport, London, September 16th 1980

Sunday, 14 December 2025

Forrest Carter: The controversial figure behind the novel


Forrest Carter: The controversial figure behind the novel
There’s little doubt about it; the author Forrest Carter was a controversial figure. I can’t produce anything new here, but thought I’d bring the rather interesting article from Wiki here – as it could easily be overlooked or missed. It’s a fascinating read, and of course Carter’s story remains a classic tale, but the author certainly carried a great deal of baggage. 
The Rebel Outlaw: Josey Wales is a 1973 American Western novel (also titled Gone to Texas in later editions) and was written by Asa Earl Carter (under the pen name Forrest Carter). It was adapted into the film The Outlaw Josey Wales directed by and starring Clint Eastwood. The novel was republished in 1975 under the title Gone to Texas.
Asa Earl Carter (September 4, 1925 – June 7, 1979) was an American segregationist and Ku Klux Klan organizer who was prominent in the 1950s for his activism and later as a Western fiction novelist, known as a co-writer of George Wallace's well-known pro-segregation line of 1963, "Segregation now, segregation tomorrow, segregation forever." He ran in the Democratic primary for governor of Alabama as a white supremacist. Later, under the pseudonym of supposedly Cherokee writer Forrest Carter, he wrote The Rebel Outlaw: Josey Wales (1972), a Western novel that was adapted into a 1976 film featuring Clint Eastwood that was added to the National Film Registry, and The Education of Little Tree (1976), a best-selling, award-winning book which was marketed as a memoir but which turned out to be fiction.

In 1976, following the success of The Rebel Outlaw and its film adaptation, The New York Times revealed Forrest Carter was actually Asa Carter. His background became national news again in 1991 after his purported memoir, The Education of Little Tree (1976), was re-issued in paperback, topping the Times paperback best-seller lists (both non-fiction and fiction) and winning the American Booksellers Book of the Year (ABBY) award.

Prior to his literary career as "Forrest", Carter was politically active for years in Alabama as an opponent of the civil rights movement. In the mid-1950s, he had a syndicated segregationist radio show, and worked as a speech writer for segregationist Governor George Wallace of Alabama. He also founded the North Alabama Citizens Council (NACC), an independent offshoot of the White Citizens' Council movement formed by Carter when the White Citizens' Council tried to moderate Carter's antisemitism. He also formed the militant and violent Ku Klux Klan group known as the Original Ku Klux Klan of the Confederacy, and started a monthly publication titled The Southerner which spread white supremacist and anti-communist rhetoric.

Carter began work on his first novel, spending days researching in a public library in Sweetwater, Texas. He distanced himself from his past, began to call his sons "nephews" and renamed himself Forrest Carter, after Nathan Bedford Forrest, a general of the Confederate army who fought in the Civil War, and the first leader of the Ku Klux Klan.
Carter's best-known fictional works are The Rebel Outlaw: Josey Wales (1972, republished in 1975 as Gone to Texas) and The Education of Little Tree (1976), the latter book originally published as a memoir. Although Little Tree sold modestly during Carter's life, it became a sleeper hit after his death.
Clint Eastwood directed and starred in a film adaptation of Josey Wales, retitled The Outlaw Josey Wales (1976) after Carter sent the book to his offices as an unsolicited submission, and Eastwood's partner read and put his support behind it. At this time, neither man knew of Carter's past as a Klansman and rabid segregationist. In 1997, after the success of the paperback edition of The Education of Little Tree, a film adaptation was produced. Originally intended as a TV movie, it was given a theatrical release.


Carter's sequel to The Rebel Outlaw: Josey Wales, titled The Vengeance Trail of Josey Wales (1976), was planned by Clint Eastwood as a possible film project, but the project was cancelled. The author's Watch for Me on the Mountain (1978) is a fictionalized biography of Geronimo. It was reprinted in 1980 in an edition titled Cry Geronimo!
Carter was working on The Wanderings of Little Tree, a sequel to The Education of Little Tree, as well as a screenplay version of the book, when he died in Abilene on June 7, 1979. The cause of death was reported to have been heart failure. However, the ambulance driver told one of Carter’s friends that he had a drunken fight with his son, fell, and choked on his own vomit. Carter's body was returned to Alabama for burial near Anniston, Alabama.
Below: Clint's early intensions from 1973, inside the book’s flysheet

What fascinates me about the first edition from 1973, is that inside the book’s flysheet Clint’s endorsement of the novel also states that he has marked the project for his next starring role. Remembering of course that this is 1973, some years before the movie went into production. Clint was still signed to Universal at this time – so I wonder if it was pitched and Universal had cold feet about the project? Interestingly enough Clint made his permanent move to Warner Brothers in 1975 when he signed a long-term contract with the studio. His production company, Malpaso Productions, also moved its base of operations to the Warner Bros. lot. Principal photography for The Outlaw Josey Wales began on October 6th, 1975, with filming taking place in various locations across the American West, including Utah, Wyoming, Arizona, and California. 
This whole post came about after I recently found an original 1976 edition of Gone to Texas in paperback form. I’ve had the tie-in novel for many years which contains the poster artwork for its cover, but it had been a good few years since I had seen this book. It was in beautiful condition for its age, and at £4.00 seemed a bit of a bargain and of course it contained Clint’s endorsement on the reverse which still makes it rather special. 

So, Forrest Carter was actually a notorious white supremacist, Ku Klux Klan leader, and segregationist political figure from Alabama. In fact, he lived a double life, reinventing himself as a "Cherokee" author in Texas later in life – all of which is truly sad. Regardless of that fact, it is something I can never let stand in the way of my total enjoyment of a remarkable movie.  

Friday, 12 December 2025

Eastwood Meets Bond: From Russia with Love / Hang Em High (1970/71)

Eastwood Meets Bond: From Russia with Love / Hang Em High (1970/71)
Continuing with our Bond meets Eastwood ads, our short run of advertising reaches 1970/71 and a pairing of From Russia with Love and Hang ‘em high. Again, the pairing of the two genres (a Western and a Spy thriller) may at first seem a little out of place. Nevertheless, no one could argue if you were simply a fan of ‘action’ cinema! While Clint was still emerging as a star, especially after the success of A Fistful of Dollars in 1967 and its sequels in 1968 – Hang ‘em High marked Clint’s first American feature. Strangely enough, by 1970 Connery had already finished his first run as Bond, George Lazenby had given the world his single outing as Bond, just before Connery was bought back for Diamonds are Forever. 
Below: The stunning Quad poster for the Double-Bill release

One thing was certain, United Artists were having a great time and certainly filling their boots at the box office. The general release date of the double-bill is often accepted as November 1971 (according to our friend Graham Rye of 007 Magazine) (and whom I have complete faith). Generally, the beautiful Quad poster is more often dated as 1970 whenever it appears for sale. The poster art was by Renato Fratini and Arnaldo Putzu. 
Below: A selection of Rare Ads for the Double-Bill release 




Tuesday, 2 December 2025

Photo Opportunity #68 Clint at Sun Valley Idaho Western Film Conference June 1976


Photo Opportunity #68 Clint at Sun Valley Idaho Western Film Conference June 1976
I don’t think there was much choice for this month’s Photo Opportunity – it was indeed the subject of much debate and head scratching (and headaches!). Firstly, thanks to Davy Triumph for coming up with this rare gem, and secondly to Kevin Wilkinson for eventually digging up the story behind the picture – Proof if proof were ever needed that we still have the best people and the collective brain power which continues to make this the ultimate Eastwood site. 
So, here’s a wonderful photo of Clint in-between Peter Fonda (1940 – 2019) and the legendary Buster Crabbe (1909 – 1983). The time was June 1976 when Clint attended the Sun Valley, Idaho Western Film Conference – no doubt to help promote his latest, The Outlaw Josey Wales (which opened nationwide during the same month). Josey Wales also received a pre-screening during the six-day Idaho conference. Also in attendance were Chief Dan George, Tim McCoy directors King Vidor, Delmer Daves and Henry King and actor Warren Oates. 


Below: from the same event, Clint with Josey Wales co-star Chief Dan George and veteran actor Tim McCoy