Paint your Wagon New Rare Behind the scenes photos

Jerry Whittington has again sent me some very rare behind the scenes shots from Paint your Wagon, which offer a great insight into the production.

Above: 'These were some of the standins and stuntmen, all horsemen, the guy on the left is Buddy Van Horn Clint Eastwood's standin and stuntman. They were all down to earth gents. Eastwood's standin had his family with him as did many others including me. The buildings you see in the background are part of the city that was built for the film' - Jerry

Below: Jerry can be seen in the top photo adjusting the ark light.

 Above: That's Jerry (Bottom left of photo) about to light Clint on horseback.
Thanks again Jerry for sharing these super photos with us here.

Rare photos of Eastwood composer Dee Barton

The Archive's good friend Jerry Whittington has been in contact over the weekend and again, supplied us with some wonderful material. Jerry worked closely with composer Dee Barton in the music and sound effects mixing department during Clint's classic films Play Misty for me and High Plains Drifter. Barton was also responsible for the Thunderbolt and Lightfoot score, made during the same terrific decade. As mentioned last week, Jerry started in the film business around 1960 and was fortunate enough to have worked on several Eastwood projects, including Paint Your Wagon.
Below: This week, Jerry kindly sent me a real treasure, The No Name City Gazette. These mock newspapers were produced and handed out on the set for the film's cast and crew to keep, which I guess kept them all hugely entertained in between set ups.

It's great to finally begin to get some input on the great Dee Barton. As a soundtrack collector myself, it has become increasingly frustrating to watch each decade pass by without any sign of his soundtracks seeing any kind of release. Play Misty for me (Clint's directorial debut) is a great suspenseful score. It also has some terrific Jazz material which was featured during the Monterey festival sequence and of course, the Erroll Garner classic title track. High Plains Drifter (Clint's western directorial debut) has a genuinely haunting and mysterious quality to it, as well as an incredible central theme. Taking into account their historical importance, especially in terms of the Eastwood timeline, they really do deserve some form of release.
Below: A couple of very rare photos. On the left, composer Dee Barton and on the right is Jerry Whittington (who turned 69 in July). The girls behind Jerry are all part of the sound Dept associated with the post production music mixing and sound effects on both High Plains Drifter and Play Misty for Me.

Below: Jerry also provided this great picture, which I have never seen before. Looking at Clint's jacket, I would guess that this was taken circa 1978 while Clint was making Every which way but loose. A very rare chance to see both Clint and Dee Barton together.

Thanks again Jerry for sharing these great photos with us.

NEW! A Man named Eastwood Full length featurette!

I was contacted today by Jerry Whittington, the gentleman that recently posted highlights of the original 1973 featurette over at You Tube. Jerry was also responsible for posting the original Paint Your Wagon featurette (also featured on this site) and on You Tube. Jerry has been involved in the film industry for a great number of years and built a terrific body of work. He worked as an electrician on Paint Your Wagon and in between his electrical obligations, appeared in front of the camera as part of the community of 'No Name City'. Jerry also appeared in Kelly's Heroes and worked along side composer Dee Barton on films such as Play Misty for Me and High Plains Drifter.

Today, Jerry very kindly asked me if I would like to see the full version of the High Plains Drifter featurette (A Man named Eastwood). Naturally, I had to think long and hard about this, as I have only been waiting to see this little gem forever!

The new version is quite stunning. Jerry did look at the colour on the original 16mm print, but informed me that it just didn't work too well. Certain film stock (over years) does tend to turn, leaving the film either red or pinkish in colour. Transferring it in b/w remained the cleanest and best option.

The sound is superb and now includes full opening credits including the mini Eastwood bio at the start, which is fun in itself. I am deeply indebted to Jerry for providing the many fans an opportunity to view this unique and important piece of film history. This featurette has never appeared on any official video, laserdisc, DVD or Blu Ray release.

Thank you again Jerry.
The Clint Eastwood Archive

Exclusive: New Eastwood Book on the way!

I had a wonderful email arrive today from author Kevin Avery who expressed how much he enjoys The Clint Eastwood Archive. Reading on, Kevin explained about his new book, Conversations with Clint – 1979 to 1983: Paul Nelson’s Lost Interviews with Clint Eastwood.

I have posted the background information below. It certainly sounds like being a fascinating read.

Continuum Books will be publishing my second book, Conversations with Clint – 1979 to 1983: Paul Nelson’s Lost Interviews with Clint Eastwood.

A little background:

In 1979, critic and records review editor Paul Nelson convinced his higher-ups at Rolling Stone magazine that a cover story about Clint Eastwood was in order. A devout genre film and literature fan, Paul idolized Eastwood, who for him was, among other things, a handy and accurate cultural reference point. Reviewing a live performance by rock & roller Warren Zevon in 1976, Paul had written that “seeing the man onstage was like experiencing... Clint Eastwood in Dirty Harry... at a very impressionable age. Rightly or wrongly, your life got changed.”

Paul embarked on what at the time, according to critic Dave Marsh, was “probably the longest series of interviews Clint Eastwood's ever done with anyone,” occurring off and on until 1983. Much to Paul's pleasure, he and Eastwood hit it off. The actor-director seemed to trust him and enjoyed spending time with him, and provided him with a wealth of material.

Still acting in other people’s films, the most bankable star in the world was honing his directorial craft on a series of inexpensive films that, without fail, he brought in under-budget and ahead of schedule. Operating largely beneath the critical radar (he took the critics even less seriously than they took him), he made his movies swiftly and inexpensively. Few of his critics then could have predicted—nor would they most likely have gone on record if they had—that Eastwood the actor and director would ever be taken as seriously as he is today.

But Paul Nelson did.

Unfortunately, for reasons explored in the chapter of Everything Is an Afterthought that is devoted to his relationship with Eastwood, Paul—despite the almost twenty-two hours he'd recorded with Eastwood and another ten with his friends and associates—was unable to get beyond page four of the article he'd set out to write.

For over twenty years, the whereabouts of Paul Nelson’s legendary “lost” interviews with Clint Eastwood have been talked about by Eastwood and Nelson fans alike with the same holy-grail hopefulness that cinephiles used to invest in the directors’ cuts of Orson Welles’ Touch of Evil or Sam Fuller’s The Big Red One. The tapes were discovered in Paul's apartment following his death in 2006.

The recordings reveal that Eastwood was indeed relaxed and confidential with Paul, speaking openly and without illusions about his influences, his strengths, and his public persona. Aside from their obvious value as a window into the life of one of our major actors and directors at a specific time and place in his career, they reveal a man who’d found a friend in his interviewer and who gave him the benefit of the doubt again and again over a four-year period because he liked him and believed in him.

The publication of Conversations with Clint – 1979 to 1983: Paul Nelson’s Lost Interviews with Clint Eastwood will finally bear out that belief.

Kindest regards, Kevin Avery

Kevin added that the publication date will be approximately one year from now, but he will be keeping The Clint Eastwood Archive right up to date with any developments.
Thank you Kevin.

Clint Eastwood on the Jamie Cullum Show

Tonight the Jamie Cullum show was broadcast featuring part 1 of his exclusive 2 part interview with Clint. Jazz artist Cullum spoke to Clint about his love of Jazz music and his influences growing up in America during the 1940’s and 50’s. It was a great interview which found Clint in fine form. Cullum, who has worked with Clint on a couple of his projects including Gran Torino, was clearly at ease with Clint and obviously shares an interest in terms of their musical tastes.
From the BBC:The first of a two-part special in which Jamie visits Hollywood actor, director and producer Clint Eastwood at his production studio in LA, the place where he records the scores for his films.
Clint talks about the humorous side of jazz and how that has changed over the years, about the clubs he used to visit in his youth and about the legendary artists he would go to see perform, or even mingle with as well as his time in the army and the musicians he met there.
In a warm, personal interview, we see Clint Eastwood from a different angle, reunited with Jamie who he worked with on the soundtrack for Gran Torino, and talking passionately about the music he loves.

The music featured in tonight’s show:

Erroll Garner — Play Misty for Me
Play Misty for Me (Soundtrack), Verve
King Pleasure, John Lewis, Percy Heath, Kenny Clarke — Parker’s Mood
Bird (Soundtrack), Sony
Fats Waller — Honeysuckle Rose
Honeysuckle Rose, ABC
Charlie Ventura — East of Suez
East of Suez, Columbia
The Dave Brubeck Quartet — Blue Rondo à la Turk
Time Out, Columbia
Nat King Cole — Sweet Lorraine
Jazz at the Philharmonic, Verve
Billie Holiday — Strange Fruit
Jazz at the Philharmonic, Verve
Kid Ory — Muskrat Ramble
New Orleans Parade, EPM
Shelly Manne & His Men — A Gem from Tiffany
Live At the Manne Hole, Vogue
John Coltrane and Johnny Hartman — My One & Only Love
John Coltrane & Johnny Hartman, Impulse!
Charlie Parker, Charles McPherson, Red Rodney, Walter Davis Jr, Ron Carter, John Guerin — Now’s The Time
Bird (Soundtrack), Sony
Charlie Parker — April in Paris
Bird (Soundtrack), Sony
King Pleasure, John Lewis, Percy Heath, Kenny Clarke — Parker’s Mood
Bird (Soundtrack), Sony
Lennie Niehaus and Clint Eastwood — Claudia’s Theme
Unforgiven (Soundtrack), Varese Sarabande
Clint Eastwood and Jamie Cullum — Gran Torino Theme
Gran Torino (Soundtrack), New Line Records
Fats Waller — Your Feet’s too big
The Cream Series, Pearl

Part 2 of Jamie Cullum's interview is broadcast at 7.00pm GMT next Tuesday 14/09/2010 when Clint Eastwood continues to take Jamie Cullum on a musical journey of his life, revealing his true love of jazz, speaking about his favourite artists, about scoring his films and his involvement with the Monterey Jazz Festival.

Here's some nice pictures from the interview and Jamie's visit to LA.







Photographer: Simon Cordova

A Big thank you to my friend Dave Turner

I had a wonderful collection of magazines and various cuttings arrive this week. For this, I have to thank my good friend and former president of The Clint Eastwood Appreciation Society, Dave Turner. Among the material are some very nice pieces that were new to me and a rather nice interview from the U.S. which was published in June 2010. I will be scanning these magazines and adding them to their dedicated area which can be found in the drop down site archive menu to the right.

My sincere thanks to you Dave and for your continued support.

The Clint Eastwood Archive

CLINT 35 Films 35 Years DVD Box Set Full Review

2010 has been something of a special year for Mr. Eastwood. As busy as ever, his latest movie Hereafter (2010) is already in the can and currently in the post production stages of completion. His next film, a story based on FBI founder J. Edgar Hoover not only serves as a mouth watering prospect, but is already in the early stages of pre production. In May, Eastwood celebrated a milestone 80th birthday in a typically low key and unadorned fashion. Warner Brother’s has been home for Eastwood since he settled there in the shape of a modestly built bungalow back in the 1970’s. As a mark of their huge admiration and genuine respect for Eastwood, the studio honoured their iconic statesman by releasing the mammoth retrospective DVD collection, Clint Eastwood: 35 Films 35 Years. Handsomely crafted, it’s hard to ignore this beautifully presented capsule of films. It is only when we are presented with such a huge and incredibly interesting body of work (contained within a singular package) that we can perhaps fully appreciate Eastwood’s immensely diverse and ‘brave’ choice of projects. From big budget epics like Where Eagles Dare, through genre classics including Dirty Harry and The Outlaw Josey Wales to modern day masterpieces such as Mystic River and Million Dollar baby, 35/35 is a truly fascinating exploration.

Released back in February 2010 (see site archive on right column), The Clint Eastwood Archive takes a closer look at this remarkable collection with detailed analysis of the set contents. Presented in a bound book form, each of its pages are representative of a specific genre or chapter in Eastwood’s career. With 2 discs per page (inserted from the top) and for the best part, 2 films per disc (1 film to each side), Warner’s have insured that the set never runs the risk of becoming too cumbersome or heavy. It’s smartly and simply laid out which makes finding a particular title easy to locate. Also added to each of the pages are the film’s relevant U.S. 1 sheet poster designs which also make for a nice touch.

Page 1 is titled ‘COPS’ In essence, it is Eastwood at his 1970’s hero cop best. Four superb titles including Dirty Harry (1971), Magnum Force (1973), The Enforcer (1976) and the comic book actioner, The Gauntlet (1977) ensure that this set makes for an explosive opening.
Disc 1 Side 1 Dirty Harry (1971) Special Edition

I was happy to see that Warner’s pressing of Dirty Harry was actually the same master used for the Dirty Harry Ultimate edition released on both Blu ray and standard DVD. Most significantly of course, is that this version contains the restored Warner / Kinney opening shield which ran from 1970-72 (Dirty Harry, Site archive, Feb, 2009).

So for serious Eastwood fans and film historians alike, this simple but effective move on the studio’s part is particularly appreciated. Also included is an informative film commentary by Eastwood biographer Richard Schickel. While Schickel’s narration is entirely ‘academic’ in style, it nevertheless provides the listener with an abundance of instructive background detail. Dirty Harry: The Original (29:41) is a tribute look at the Dirty Harry franchise and hosted by the late Robert Urich (rookie cop officer Michael Grimes in Magnum Force). It makes for an enjoyable watch and focuses on the influential aspect of Eastwood’s character and the modern action hero of today. Featuring Eastwood, Arnold Schwarzenegger, John Milius and Scorpio himself Andy Robinson, it works particularly well. Dirty Harry’s Way (7:03) is an original vintage featurette with some great behind the scenes footage of Eastwood and director Don Siegel at work. An interview gallery is a selection of extended interview clips from the previously mentioned Dirty Harry: The Original documentary. A Dirty Harry trailer gallery rounds off the extras and are the regular trailers that have been previously included on their individual titles in the series. Although there is nothing new included on this disc, it’s an excellent collection of material for anyone who is new to the Eastwood DVD market.

Disc 1 Side 2 Magnum Force (1973) Special Edition

Magnum Force continues to be a personal favourite of mine. While Dirty Harry remains at the top of my list, Magnum Force (for me) epitomises Harry as the personification of hero cop. Some critics labelled the original Dirty Harry as ‘fascist’ while others held the film in contempt due to the nature of its violence. For Siegel and Eastwood, it was simply nothing more than ‘a great little cop movie’. But with Magnum Force, Eastwood and director Ted Post decided to really give the critics something to moan about. Political red tape, murder, corruption and even a ‘death squad’ may have been a little too much for some critics. Yet, these same people remained blissfully blind to the fact that Magnum Force was an entirely plausible story of what was happening in the world and in particular, closer to home in American society.

Again, Warner Brothers have included their original Warner Communications company intro at the start of the film, allowing Lalo Schifrin’s opening percussion to be heard over that terrific 70’s logo (Magnum Force, Site archive, Feb, 2009). Also included is a great running commentary from screenwriter John Milius, who provides a much more relaxed approach. The accompanying documentary ‘A Moral Right: The politics of Dirty Harry’ (24:11) is a very good watch and explores the political standpoints of the Dirty Harry character. Also included is the original featurette ‘Hero Cop: Yesterday and today’ an excellent short with some great behind the scenes footage including the filming of the supermarket robbery sequence and director Ted Post at work. As with all of the Dirty Harry titles, the trailer gallery is also included.

Disc 2 Side 1 The Enforcer (1976) Special Edition

Warner’s remastering of the Harry titles sees The Enforcer opening with its original Warner Communications logo in place. The film is again an excellent entry in the series and has Harry teamed up with woman partner Inspector Kate Moore (Tyne Daly). James Fargo was promoted within the ranks of Malpaso and handed the director’s chair for the feature. James Fargo also supplies the audio commentary track and gives us a fine insight into the production and will prove particularly interesting for fans of Eastwood’s 1970’s movies. Included is an interesting documentary, The Business end: Violence in Cinema (30:05) which is pretty much self explanatory. The vintage short ‘Clint Eastwood, Something special in film’ (6:00) is another excellent ‘Professional Films/Robin’s Nest’ production which again provides a unique behind the scenes glimpse at the making of the film and leaves the viewer wishing these featurettes remained much longer. The Dirty Harry Trailer gallery again rounds off the disc.

Disc 2 Side 2 The Gauntlet (1977)

Eastwood’s last cop film of the 70’s was a great piece of comic book adventure and remains an essential classic of the decade. Eastwood plays Ben Shockley, a hard drinking, no nonsense cop with a reputation of getting the job done. Shockley survival skills are tested to the limit when he is sent to escort a ‘no name witness for a no name trial’ from Vegas to Nevada. The film’s big action sequences are well staged, if completely over the top. The film includes many Eastwood regulars of the time including Sondra Locke (excellent as witness Gus Malley) and the ever reliable Bill McKinney is great as a slightly disturbed cop who Shockley and Malley encounter along the way. There is also a superb Jazz score provided by the late great Jerry Fielding who had provided excellent soundtracks to Eastwood’s two previous pictures, The Outlaw Josey Wales and The Enforcer. Sadly, the original Warner’s Communication opening has not been restored to the print. Extras are only in the shape of the original theatrical trailer (a great trailer it is too). I understand there was an original featurette made at the time of production, but unfortunately it does not appear in the collection.

Page 2 is a continuation of the COPS collection

Disc 3 Side 1 Sudden Impact (1984) Special Edition

The fourth entry in the Dirty Harry series was the first and last to be directed by Eastwood himself. Sondra Locke co-stars as a rape victim who plans a number of revenge killings upon each of the gang that raped both her and her sister. Harry stumbles into the case while taking some time off at the request of his superiors. Sudden Impact remains an interesting piece in the series, as director Eastwood explores the character’s soul and questions his sense of moral justification. The film’s original Warner Communications logo has been lovingly restored again to this print, while Richard Schickel returns again to give an informative and insightful audio commentary. ‘The Evolution of Clint Eastwood’ (25:39) is another excellent documentary in the series, and the Dirty Harry Trailer gallery again completes the disc.

Disc 3 Side 2 Tightrope (1984)

Tightrope is a hugely underrated little cop thriller that emerged quietly in the mid 80’s. Eastwood stars as New Orleans law enforcer, Wes Block. ‘A cop on the edge’ as the film’s tagline informed us. Eastwood’s Wes Block proved to be an interesting departure. For once, his cop character became openly vulnerable and to some degree, a troubled man. The film also marked a starring role for the young Alison Eastwood playing one of Block’s own daughters and was the first feature to be directed by Richard Tuggle. Extras are only in the form of a single theatrical trailer.

Disc 4 Side 1 The Dead Pool (1988) Special Edition

 

It is no secret that Eastwood’s final film in the Dirty Harry series The Dead Pool, is by far the least popular with fans. While enjoyable enough, it is clear that Harry is about as far removed as possible from the charismatic cop that we had continued to celebrate some two decades before. It is notable for including a young Jim Carrey (as doomed rock star Johnny Squares) and provided the opportunity for Eastwood’s long time stunt double Buddy Van Horn to step into the director’s chair. For what is considered to be the weakest entry in the series, the disc certainly makes up for it in the extra features. Malpaso crew members Jack N. Green (Director of Photography) and David Valdes (Producer) provide an excellent audio commentary. ‘The Craft of Dirty Harry’ (21:35) proves to be one of the best of the Dirty Harry documentaries and includes an inside look at Eastwood’s regular Malpaso team. The documentary also features an interview with composer Lalo Schifrin and looks at his significance to the series, as well as exploring the prolific efficiency of Eastwood’s crew. The Trailer gallery again brings the extras to a close.

Disc 4 Side 2 The Rookie (1990)

The Rookie was directed by Clint Eastwood and produced by Howard G. Kazanjian, Steven Siebert and David Valdes. It was written from a screenplay conceived by Boaz Yakin and Scott Spiegel. The film stars Charlie Sheen, Clint Eastwood, Raul Julia, Sonia Braga, Lara Flynn Boyle and Tom Skerritt. Eastwood plays a veteran police officer teamed up with a younger detective played by Sheen, whose intent is to take down a German crime lord in downtown Los Angeles following months of investigation into his illegal activities. Extras are only in the form of a single theatrical trailer, which is a real shame as the comedic short, ‘Clint, the rookie and me’ (shot during the movie) is absolutely hilarious and really deserves to be seen.

Page 3 is titled ‘Man of Action’

Disc 5 Side 1 Where Eagles Dare (1969) Special Edition

Where Eagles Dare takes place during World War II. In the winter of 1943–44, U.S. Army Brigadier General George Carnaby, enroute to Crete to rendezvous with Russian forces to plan the final details of the invasion of Normandy, is captured by the Germans when his aircraft is shot down. He is taken to the Schloß Adler (The Castle of the Eagles – hence the story's title), a fortress high in the Alps above the town of Werfen and the headquarters of the German Secret Service in southern Bavaria. A special team of mainly British commandos is hurriedly assembled and briefed by Colonel Wyatt Turner and Admiral Rolland of MI6, and led by Major John Smith, MC (Richard Burton), and US Army Ranger Lieutenant Morris Schaffer (Clint Eastwood). Their mission is to parachute into the locality, infiltrate the Schloß Adler, and rescue General Carnaby before the Germans can interrogate him. Extras include the excellent original featurette ‘On location, Where Eagles Dare’ (12:38). The original theatrical trailer is also included.
Disc 5 Side 2 Kelly’s Heroes (1970)

Kelly's Heroes is an offbeat 1970 war film about a group of World War II soldiers who go AWOL to rob a bank behind enemy lines. Directed by Brian G. Hutton, who also directed the 1968 World War II drama Where Eagles Dare, the film stars Clint Eastwood, Donald Sutherland, Telly Savalas, Don Rickles, and Carroll O'Connor, with lesser roles played by Harry Dean Stanton, Gavin MacLeod, and Stuart Margolin. The screenplay was written by British film and television writer Troy Kennedy Martin. Extras are in the form of a single theatrical trailer.

Disc 6 Side 1 Firefox (1982) Special Edition

Firefox is a 1982 action film produced and directed by, and starring, Clint Eastwood. It was based on a 1977 novel with the same name written by Craig Thomas. The film details a joint Anglo-American plot to steal a highly advanced Soviet fighter aircraft (MiG-31, NATO code name "Firefox") which is capable of Mach 6, is invisible to radar, and carries weapons controlled by thought. Eastwood stars as Maj. Mitchell Gant, a Vietnam veteran who infiltrates the Soviet Union, aided by his ability to speak Russian (due to his Russian mother) and a network of Jewish dissidents and sympathizers, three of whom are key scientists working on the fighter itself. His goal is to steal the Firefox and fly it back to friendly territory for analysis. Extras include the excellent original BBC documentary ‘Clint Eastwood Director’ (29:58) which is in essence, a terrific making of Firefox. Also included is the original theatrical trailer.

Disc 6 Side 2 Heartbreak Ridge (1986)

Heartbreak Ridge is a 1986 war film, starring Clint Eastwood (who also produced and directed) and Mario Van Peebles, surrounding the 1983 U.S. invasion of Grenada, West Indies. Gunnery Sergeant Thomas Highway (Eastwood) is nearing mandatory retirement from the Marine Corps. He finagles a transfer back to his old unit. On the bus trip to his new assignment, he meets fellow passenger "Stitch" Jones (Van Peebles), a flashy wannabe rock musician who stiffs him for a meal at a stop and steals his bus ticket, leaving him stranded. Extras are in the form of a single theatrical trailer.

Page 4 is a continuation of the ‘Man of Action’ collection

Disc 7 Side 1 Absolute Power (1997)

Absolute Power is a 1997 American political thriller produced and directed by Clint Eastwood and starring Eastwood as a thief who witnesses a murder. The screenplay by William Goldman is based on the 1996 novel of the same name written by David Baldacci. It was screened out of competition at the 1997 Cannes Film Festival. The story describes a conflict that arises after a burglar witnesses Secret Service agents killing the beautiful young wife of an elderly billionaire during her drunken rendezvous with the President of the United States. The burglar is Luther Whitney (Eastwood), a master jewel thief. The President is Alan Richmond (Hackman), a known philanderer. The billionaire is Richmond's friend and financial supporter Walter Sullivan (Marshall), and his wife is Christy (Hardin). Luther has a daughter, Kate (Linney), who works as a prosecutor and has been estranged from him for years.

Disc 7 Side 2 True Crime (1999) Special Edition

True Crime is a 1999 mystery drama film directed by Clint Eastwood, and based on Andrew Klavan's 1997 novel of the same name. Eastwood also stars in the film as a journalist covering the execution of a death row inmate, only to discover that the convict may actually be innocent. Clint Eastwood plays Steve Everett, an Oakland journalist recovering from alcoholism, given the task of covering the execution of convicted murderer Frank Beechum (played by Isaiah Washington). Everett discovers that Beechum might be innocent, but has only a few hours to prove his theory and save Beechum's life. Eventually Steve learns that a young man named Warren, who was stabbed to death three years previously, killed the victim but is unable to prove it. Extras include 2 featurettes, ‘The Scene of the Crime’ (9.26) and ‘True Crime – True Stories’ (22.04). Also featured is the Diana Krall music video for ‘Why should I care’ (3.52) and the original theatrical trailer.

Disc 8 Side 1 Space Cowboys (1999) Special Edition

Space Cowboys is a 2000 adventure/comedy film directed by Clint Eastwood. Eastwood also stars in the film alongside Tommy Lee Jones, Donald Sutherland, and James Garner as four older "ex-test pilots" who are sent into space to repair an old Soviet satellite. An obsolete Soviet communications satellite is about to fall out of orbit and NASA agrees to deal with it. The onboard systems are so archaic that nobody at NASA understands them, so they ask retired United States Air Force pilot and electrical engineer Dr. Frank Corvin (Clint Eastwood), who designed the original guidance systems from which the satellite has been copied, to help them, despite the longstanding animosity between the engineer and project director Bob Gerson (James Cromwell). A flashback reveals that 40 years ago, Corvin's prospects as an astronaut had been dashed with the formation of NASA, a civilian agency. Corvin and his three-man team had been replaced by a chimp, which was a shrewd move calculated by Gerson. Meanwhile, in the present, NASA engineer Sara Holland (Marcia Gay Harden) argues with project manager Gerson regarding conflicting political and engineering concerns over the decaying satellite. Extras include 4 featurettes, ‘Up close with the editor’ (7.05), ‘Tonight on Leno’ (11.40), ‘The Effects’ (7.11) and ‘Back at the ranch: A look behind the scenes’ (28.10). Also included is the original theatrical trailer.

Disc 8 Side 2 Blood Work (2002) Special Edition

Blood Work is a 2002 mystery suspense thriller produced, directed by and starring Clint Eastwood. The film co-stars Jeff Daniels, Wanda De Jesus and Anjelica Huston. Terry McCaleb is an ailing veteran FBI agent who's been given a second chance at life by receiving the heart of a murder victim. Terry is visited by the murder victim's sister, Graciella Rivers, who informs him that he is alive only because of receiving the deceased's heart and asks him to investigate who killed her. Extras include 2 featurettes, ‘Making Blood Work’ (18.09) and ‘A conversation in Spanish with Wanda De Jesus, Clint Eastwood and Paul Rodriguez (14.19).
TO BE CONTINUED