Sunday, 29 July 2018

Flashback: Clint Eastwood Press Conference in Tucson, December 1971

Flashback: Clint Eastwood Press Conference in Tucson, December 1971

These shots were taken just prior to the Christmas release of Dirty Harry and while Clint was in Tucson during the production of Joe Kidd.  

Details of this press conference are very hard to find. However, the three fabulous shots have surfaced over the years which, thankfully I managed to save. 

It’s clear from these shots that Clint is wearing the same sweater and jacket that he was wearing for the famous Terry O'Neill photos. 

During the Press conference he was asked if he still watches old episodes of Rawhide – Clint answered that he tried to avoid them as he looked so young.
Photos by David Lee Guss

Thursday, 19 July 2018

Clint at John Denver Ski Classic

I recently spotted this great shot of Clint on the internet. It was taken at one of the John Denver Ski Classics. Although there was no date on this photo it is believed to date back to 1980-82 period. 

Tuesday, 17 July 2018

The Mike Curb Congregation ‎– Burning Bridges / Sweet Gingerbread Man Very Rare Japanese 7" record

Last month I finally landed this extremely rare Japanese 7" Single. Released on Denon ‎Records (CD-101) it was released in 1971 with this stunning fold-out picture cover. It's also rare to get a glimpse of the Mike Curb Congregation in full swing on the reverse. However, it is the great front cover that is nothing less than spectacular. It's taken a very long time, but I'm very happy (and very relieved) to finally add this to the collection. 
Credits: Arranged by, Conductor Don Peake, Producer – Perry Botkin, Jr. A-side From the MGM motion picture "Kelly's Heroes" Foldout cover - Made By – Nippon Columbia Co., Ltd.

                   

Ennio Morricone ‎– La Trilogia Del Dollaro (Colonne Sonore Originali)

For Eastwood fans who also love their Morricone, I thought I would just mention this wonderful CD I acquired a couple of weeks ago. It is an official release from Italy and features 26 original recordings from the Leone Dollar trilogy. Released in 1989 with a catalogue No RCA ‎– ND 74021, I can’t honestly believe it had escaped me for so long.  Of course, it was that great cover design that first struck me, and works so well. It’s just a straight forward fold open booklet with just the track details, no liner notes or photos inside, however the audio quality is beautiful. It might be worth keeping an eye on the auction sites just in case one comes along cheaply. This one only cost me £3.59 and free delivery here in the UK. So it’s worth having a look around from time to time. I have to say, I was incredibly happy with it. 

Tuesday, 26 June 2018

Ennio Morricone’s Two Mules for Sister Sara to receive first official CD release

So it was great to read that Universal Pictures have announced plans to preserve and restore its classic library of movie music. The Universal Pictures Film Music Heritage Collection will launch this week as a joint venture with La-La Land Records. What is even better is that they have also announced that new retro titles will include the first ever official CD release of Morricone’s Two Mules for Sister Sara. 
Great, wonderful news in fact!
However, I do hope that this joint venture will take the opportunity to make this release the very best possible. I’m hoping that the score will be newly remastered. I also hope that Universal have the original radio spots, because now is the right time and the perfect opportunity to use them. The Radio Spots are an integral part of the film’s audio history, as much as a Trailer is to a film’s Blu-ray or DVD release. Shamefully none of these spots were included on the Blu-ray release of Two Mules for Sister Sara. Which begs the question, does Universal even have the masters in their Archives? Are they lost or destroyed?
Firstly, I have always offered pieces from my collection to make any Eastwood product the very best possible. So I just wanted to throw it out there, right now, especially among my friends that work in the soundtrack industry in the states. I have the full set of Radio spots, on an original Universal vinyl disc. If Universal do not hold the masters for these, then good luck in trying to find them, as they are extremely hard to find. I’m offering to help here…
Secondly, if you want to go deeper (and even rarer) into the film’s audio history, how about an extremely rare open ended interview on 7”inch vinyl Side A with Eastwood, side B with Shirley MacLaine. This 7” single runs at 33 1/3. Again this has never been available to the public and only used on local radio broadcasts at the time of the film’s original release. I can't even begin to explain how rare this particular piece is. On top of that I also have the original script that accompanied this record. 

The script includes the questions for the local DJ to ask and the recorded responses from Eastwood. I would also gladly reproduce this for the booklet. Sadly there is no script sheet for the MacLaine interview.
These are the kind of examples that fans would love to hear included. I am offering these, I have nothing to gain from this, in fact, I am prepared to offer material here which would (in all probability) devalue my original source material, the original products.
I just wouldn’t want to see or read stories of woe about ‘how such material wasn’t available to us’. It is... but only if you want it done right. I am easy to contact, either through the archive – leave a comment here, it will NOT be published, but contact information for me to get in touch would be welcome. Alternatively contact Cinema Retro Magazine and they would forward information to me. It would be so refreshing to see this project done properly while at the same time offering the Eastwood fans something new to enjoy. Why would you not?

Friday, 15 June 2018

Destination London: In between shooting Where Eagles Dare

Dateline: February 16, 1968
So you’re one of Hollywood’s biggest stars, and you’ve been asked to jet off to London to make a World War II action film with Clint Eastwood. The fee will be one million dollars — not a bad sum in 1968 — plus bonuses based on the blockbuster's box office gross. But there’s just one snag. Due to quarantine restrictions, you won’t be able to take your beloved dogs with you. In the UK at the time, regulations stated that any animals arriving from abroad would have to go into quarantine for six months, the amount of time considered necessary to ensure that they weren’t infected by rabies.
This was the dilemma facing Richard Burton when he set off to shoot Where Eagles Dare in the late 1960s. 

The Port Talbot actor, who relocated to Céligny, Switzerland in 1957, along with his then-wife Elizabeth Taylor, were hoping to take their four dogs with them — two Pekingese and two Yorkshire terriers named Cuthbert, Georgia, Oh Fi, and E’en So.

But when faced with the possibility of having to leave them behind, they found an ingenious solution. Because while the quartet might not have been allowed on British soil, there was nothing stopping them staying on British water. So the Pontrhydyfen -born star set about securing a boat for his four-legged friends.
And not just any old dinghy, but a white, 200-ton, 120-foot Bolvian yacht called Beatriz.
It was leased from the wealthy Patino family from Bolivia at a price of $2,400 a week, and having set sail from Calais docked off Tower Pier on the Thames where it remained for two months.

It cost an estimated $20,000 in total — that’s an eye-watering $140,000 in today’s money. The Burtons themselves stayed in the nearby Dorchester Hotel.
Fortunately, there were a few great pictures of Clint taken in London while he was here filming Where Eagles Dare, especially whilst he was out and about sightseeing around the city. I thought it would be a good idea to gather them up and include them here with this story, as there is something of a natural crossover with the Burton / Taylor story. 

Below: These three photos are very rare shots taken at MGM-British Studios, Borehamwood, England; during the spring 1968. The production had moved here for the interior scenes. The top picture shows Clint inside one of the studio’s offices; it’s not clear which office this is. However the press cuttings on the office board seem to feature a lot of stories based around Burton and Taylor, one of which is the Taylor birthday cake shot, so we know that this was taken after February 27th 1968. There also seems to be a reference to Cleopatra’s Barge. Could this be a lighthearted spin story relating to Taylor’s luxury moored yacht featured above? As the other pictures of Clint were featured in the same Japanese magazine article, they were probably shot around the same time. They show Clint outside the Borehamwood studios where he was perhaps about to embark on a sightseeing day out or simply heading back to his hotel.
Below: I have also included here the pictures of Clint taken on London Bridge. The top photo here clearly illustrates the bridge famously being dismantled, a project which began in 1967. This picture of the bridge, especially the skyline, when used in comparison, certainly helps in confirming Clint’s location. Perhaps he wanted to take in the bridge before it was sold off and shipped to Lake Havasu City, Arizona where the bridge would be reassembled stone by stone.
Below: Arguably the most recognised photos from this time period are the shots featuring Clint on a motorbike around London. Here are several which show Clint on Tower Bridge where he found time to chat to a local 'Bobby-on-the-beat', checking his London street map and on foot after visiting Westminster Abbey.
      
Whilst we do not proclaim to have all of the answers, all of these photos nevertheless provide a fascinating insight and a small glimpse as to what was happening in between the shooting of Where Eagles Dare.
Kind thanks to Kevin Wilkinson and Jayne Smart
Below: Some additional photos from this period

Tuesday, 12 June 2018

David Frangioni: An exclusive offer on the updated Clint Eastwood Icon Book! Release date: June 19th 2018

It was almost 2 years (to the day) when our friend and author David Frangioni, quietly entrusted me with news of his plans to update the superb artwork bible - Clint Eastwood Icon: The Essential Film Art Collection.
I’m not sure if that news was initially beneficial to my health. Why? Well, I guess because I always knew it was coming! Sitting patiently on ‘the wait’ is often a painful path to endure. However, I’m very pleased to report that the long wait is at last, finally over. Not that Frangioni has been sitting idle in those two years, far from it in fact…
It was Morgan Freeman’s ‘Red’ who said, ‘Geology is the study of pressure and time. That’s all it takes really... pressure... and time... That, and a big goddamn poster’   

In many ways, it’s a line that could so easily be attributed to Frangioni’s work. Compiling and producing such an extensive piece of work is far from simple. These exquisite and often extraordinarily rare posters are far from easy to acquire. It takes time, patience and often a great deal more than a pugno di dollari! Poster collecting is (at the best of times) an unpredictably long waiting game. It could of course been very easy for Frangioni to take the easy option. With thousands of pieces residing in his extensive collection, there was already a vast amount of material to generously extend the book’s content. 
However, Frangioni is a hard hunter and a committed pro. Moreover, he makes intelligent use of his connections - both respectfully and wisely – and as a result, secures some ‘big goddamn posters’ for us all to enjoy.
I’d love to rattle off some of what to expect in terms of new additions, but I’m not going to spoil the surprise element for anyone. What I can reveal is that you will see a great deal more, lavishly produced and rarely seen posters and collectables, some of which have already been confirmed as ‘the only one left in existence’
This new edition of Clint Eastwood: Icon presents an unprecedented collection of film art and rare material surrounding the legendary actor. This comprehensive trove gathers together poster art, lobby cards, standees, Italian Spaghetti Western Premier Posters, studio ads, and esoteric film memorabilia from around the world. From his early roles as the nameless gunslinger in Sergio Leone’s spaghetti Westerns, to the vigilante films of the 1970s and 1980s, through his directorial roles and latest releases, Clint Eastwood: Icon captures the powerful presence that turned Eastwood into the definitive American hero.
AN EXCLUSIVE OFFER FOR VISITORS OF THE CLINT EASTWOOD ARCHIVE
As a faithful follower of The Clint Eastwood Archive, David has very kindly put together an exclusive offer. Full details are below, but firstly, I’ll let David explain:
 
Yes, order here through the Archive and you will not only receive a signed edition of the new book but also a copy of the original book! In addition to this and for a limited time, U.S shipping will be set at just $5.00 (Worldwide shipping $25)
To take up David’s generous offer: 
Please make PayPal payment of $30.00 USD + Shipping to:  dfrangioni@audio-one.com
* The new ICON book will be signed by David to the name supplied in their PayPal payment.