Below: How Play Misty for Me may have opened when seen in UK cinemas with its original X certificate
To view the Original Trailer Click Below:Play Misty for me 1971 Clint Eastwood Jessica Walter Original UK QUAD poster 30x40
Play Misty for me 1971 Original rolled U.S. Half sheet poster
Below: Play Misty for Me original large French Grande poster 47" X 63"
Play Misty for me 1971 4 x 5 Colour Transparency Dave in house.
Play Misty for me 1971 4 x 5 Colour Transparency Dave restaurant in purple suite.
Play Misty for me 1971 7" Single Vinyl First time ever. Roberta Flack
Play Misty for me 1971 Clint Eastwood Jessica Walter Original Australian Daybill poster
Play Misty for me 1971 Clint Eastwood Jessica Walter Original Belgium poster
Play Misty for me 1971 Clint Eastwood Jessica Walter Original Italian insert poster
Play Misty for me 1971 Clint Eastwood Jessica Walter Original Swedish Insert poster
Play Misty for me 1971 Clint Eastwood Jessica Walter Original Turkish poster
Play Misty for me 1971 Clint Eastwood Jessica Walter Original US 40 x 60 Rolled poster
Play Misty for me 1971 Clint Eastwood Jessica Walter Original Yugoslavian Poster
Play Misty for me 1971 German full Ad block range press sheets
Play Misty for me 1971 German insert style fold open press sheet well illustrated
Play Misty for me 1971 German press sheets with full ad range “Sadistico”
Play Misty for me 1971 Lobby set x 16 German
Play Misty for me 1971 Mini Lobby set x 8 USA
Play Misty for me 1971 Original Roberta Flack sheet music “First time ever I saw your Face” from the film
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Play Misty for me 1971 UK Original press sheet
Play Misty for me 1971 U.S. Original Press book
Play Misty for me 1971 x 2 Diff Film tie in Paperbacks
Star-30273 (1980)
Play Misty for Me Blu-ray release
Below: Rare Japanese B2 poster
Below: A second design Japanese Poster
Below: Play Misty for Me Original Japanese Program, thank you to my friend Davy Triumph for the image
Below: Play Misty for Me Full U.S. Lobby set
Below: A close up example of the U.S. Lobby card.+Lobby+Card+5.jpg)
Below: The Play Misty for Me U.S. 1 Sheet poster.+One+Sheet.jpg)
Below: Play Misty for Me French Lobby Stills
Below: A great shot of Don during the making of the movie, perhaps holding one of his famous pieces of paper that contained his lines. Clint has often spoke of how Don had them 'pasted everywhere' during several interviews, and remembers it fondly. It was Don's first acting role, and as it was Clint's first movie as director, Clint felt better about having Don on the set.
Below: Play Misty for Me The Japanese version of the Laserdisc
Below: Example of a Yugoslavian Play Misty For Me press still
Below: A great shot of Clint busy at work during the production of Play Misty for Me 1971.
Original Reviews
Play Misty for Me (1971)
November 4, 1971
PLAY MISTY FOR ME
By Roger Greenspun, New York Times
Published: November 4, 1971
Director Clint Eastwood's first movie is the story of a California disk jockey (Eastwood) who one night meets Evelyn (Jessica Walter), a good-looking devoted listener who has always called to ask that he play Erroll Garner's "Misty" for her, and begins what is to be a short-term casual affair without complications.
But Evelyn has a personality quirk, a little violent streak that shows as obstinate possessiveness when she is happy and as homicidal mania when she is not. The disk jockey has a real girl (Donna Mills), and Evelyn's response to her is a one-woman reign of terror that threatens most of the circumstance and provides all the suspense of Play Misty for Me, which opened yesterday at neighborhood theaters.
Both the circumstance—the handsome bachelor, the minor glamour and attractive loneliness of the media people, the relaxed nights and entrancing days, the scenery and life style of the Monterey Peninsula—and the suspense recall other, better movies. And it is sad that this film, with its locale and some of its moods out of Vertigo and its central obsessional action almost an inversion of Preminger's wonderful Laura should echo so briefly in the imagination.
It is not simply that the movie fails to make sense. A lot of good movies are weak on sense—though they don't often require a leading man to be quite so dense for quite so long in interpreting the behavior of a psychotic leading woman. But they must not be weak in sensibility, in that logic of emotional response that is the real motive power of the atmospheric thriller.
Play Misty for Me begins to fail with its opening title sequence, Eastwood's scenic drive from an isolated shore-side retreat to his radio station in Carmel—where each shot in the long, lyrical montage seems to count for less than the one that preceded it, until the car simply comes to a stop in a confusion of place and time that a broadcast voice on the soundtrack has to clear up.
The failure is never redeemed, and it extends even to the character of Evelyn, who begins as mystery and loses a bit with each appearance until she ends as mere knife-wielding mechanism for plot that happens to need a girlish monster.
The movie goes down with her, and I think the fault lies with Clint Eastwood the director, who has made too many easy decisions about events, about the management of atmosphere, about the treatment of performances—including the rather inexpressive one of Clint Eastwood the actor, who is asked to bear more witness to a quality of inwardness than his better directors have yet had the temerity to ask of him.
His best director, Don Siegel, makes his film acting debut here as a bartender named Murphy. Siegel is pretty good, but he's no Murphy. He looks decidedly Greek.
PLAY MISTY FOR ME Directed by Clint Eastwood; written by Jo Heims and Dean Riesner, based on a story by Mr. Heims; director of photography, Bruce Surtees; edited by Carl Pingitore; music by Dee Barton; art designer, Alexander Golitzen; produced by Robert Daley; released by Universal Pictures.
Running time: 102 minutes.
Below: Some more great shots from Play Misty For Me
Back in May I helped David out with an article he was writing on Play Misty for Me. It was tied in to celebrate Clint's Birthday. In the process David used some photos that were new to me and he kindly allowed me to use them here.
Below: Front and Back of the U.S. VHS of Play Misty For Me
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From my friend Philip McLean, here is the great Japanese DVD of Play Misty For Me - Philip explains that the translation in Japan reads as 'Terrifying Melody' - Love it!
Play Misty for me Production history
Before Malpaso Productions co-founder Irving Leonard died,
he and Eastwood discussed a final film, one giving Eastwood the artistic
control he desired by making his directorial début. The film was Play Misty for
Me. Eastwood reflected on his new role:
The script was originally conceived by Jo Heims, a former
model and dancer turned secretary, and was polished by Dean Riesner. The idea
of another love interest, with a level-headed girlfriend Tobie added to the
plot, was a suggestion by Sonia Chernus, an editor who had been with Eastwood
when he was initially spotted for Rawhide. The film was also notable in that
Eastwood's character was in heavy contrast to the traditional "action
man" roles in westerns and war films which he was known for up until that
point - in later interviews he stated that the film was a deliberate attempt to
get away from typecasting.
The film paved the way for many later stalker films (such as
Fatal Attraction), particularly those with a psychotic female antagonist, and
also those where the villain made an unexpected return. The TV series Starsky
and Hutch copied almost the entire plot for their Season 3 story "Fatal
Charm".
The story-line was originally set in Los Angeles, but at
Eastwood's insistence, the film was shot in the more comfortable surroundings
of the actual Carmel-by-the-Sea, California, where he could shoot scenes at the
local radio station, bars, and restaurants and at friends' houses. Eastwood has
also long made Carmel his home, and was elected mayor there in 1986.
Filming commenced in Monterey, California in September 1970,
and although this was Eastwood's debut as film director, Don Siegel stood by to
help and also had an acting role in the film as a bartender. Frequent
collaborators of Siegel's, such as cinematographer Bruce Surtees, editor Carl
Pingitore and composer Dee Barton, made up part of the filming team.
Additional scenes were shot at the Monterey Jazz Festival in
September 1970, featuring jazz greats Johnny Otis, Cannonball Adderley, and
future Weather Report founder Joe Zawinul. (The commentator mentions:
"That was the Cannonball Adderley group. They are playing at the Monterey
Jazz Festival with Duke Ellington, Woody Herman, Joe Williams and many others.
Now we are gonna hear from 'The Gator Creek Organization' and 'Feeling
Fine'...".)
"The Sardine Factory" is a real restaurant, still
at the same location as in the film, at Prescott and Wave Street, just one
block up from Cannery Row in Monterey. The radio station, KRML, was an actual
jazz station in Carmel, whose studios were relocated to the Eastwood Building
at San Carlos and 5th, in the same building as the Hog's Breath Inn (a
restaurant that Eastwood owned). After a brief dark period in 2010, the radio
station returned to the air in 2011.
The rights to the song "Misty" were obtained after
Eastwood saw Erroll Garner perform at the Concord Music Festival in 1970.
Eastwood also paid $2,000 for the use of the song "The First Time Ever I
Saw Your Face" by Roberta Flack. Meticulous planning and efficient
directorship by Eastwood (which would become one of his trademarks) enabled the
film to be made nearly $50,000 short of its $1 million budget, and it was
completed four or five days ahead of schedule.
The film features a romantic montage (views of Garver and
Tobie peacefully roaming by the seaside and through the woods), backed by
Flack's recording, an Ewan MacColl torch song. Flack's version (after staying
at Number 1 for six weeks during the spring) became the 1972 Billboard Hot 100
top single of the year. The film's title can be seen on a cinema marquee in the
beginning sequence of Siegel's later film starring Eastwood, Dirty Harry.
Below: Clint and Jessica Walter at the 1972 Golden Globe Awards, Walter's was nominated but lost out to Jane Fonda for her performance in Klute
Play Misty for Me premièred in October 1971 at the San
Francisco Film Festival and was widely released in November. The film was a
financial success, grossing $10.6 million at the box office against a budget of
only $725,000. It earned $5,413,000 in domestic rentals.
The film has been given mostly positive reviews, with an 83%
"fresh" rating on Rotten Tomatoes. In his 1971 review of the film,
Roger Ebert wrote, "Play Misty for
Me is not the artistic equal of Psycho, but in the business of collecting an
audience into the palm of its hand and then squeezing hard, it is
supreme." Critics such as Jay Cocks in Time, Andrew Sarris in the Village
Voice, and Archer Winsten in the New York Post all praised Eastwood's
directorial skills and the film, including his performance in the scenes with
Walter.
Below: A nice rare TV advertisement for Play Misty for Me
Below: A nice rare TV advertisement for Play Misty for Me
Below: Clint in three costume test shots from Play Misty for Me
Below: Three great shots as Evelyn Draper attacks
Below: Clint and Donna Mills behind the camera, more commonly seen in a tighter shot
Below: I recently discovered this poster artwork and think it is possibly an example of fan art
Below: Not fan art at all, but the French re-release poster of 2015
Below: Irene Hervey as Madge in Play Misty for Me
Below: A rare U.S. Flyer for Play Misty for Me, thanks to Davy Triumph
Below: Clint captured while taking in the surroundings during Play Misty for Me
Below: A rare press still from South America with its title Obsesión mortal
Below: Here's an unusual poster that recently surfaced on the internet, a U.S. Play Misty for Me 10"x 14" 'special poster' 1971
Below: A superb piece of sheet music for Misty which uses Clint's image to the front.
Below: Here's the rare first edition U.S. paperback of Play Misty for Me
Below: Here's a very rare British Double-bill Quad poster advertising Play Misty for Me showing with the police drama Badge 373 (1973) (a film which also starred one of Clint's regular co-stars Verna Bloom).
My thanks to Steve Saragossi.
Below: Another equally rare UK Double Crown poster this time pairing up Play Misty for Me with John Mackenzie's British thriller Unman, Wittering and Zigo (1971).
Below: Here's a great old newspaper ad which originated out of Kansas City. - love the tagline 'or I'll kill you' My thanks to Kevin Walsh for the location info.
Below: This rare image appeared on the internet recently, it was a bit of a strange size, so I re-sized it and put it in a Misty frame, creating a Misty mock up photo
Below: Clint and James (Jimmy Mack) McEachin enjoying the Jazz festival during Play Misty for Me
Below: A great shot featuring Donna Mills and Clint in Play Misty For Me
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Below: Play Misty for Me original German film program
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Below: Play Misty for Me, Mexican 11 x 14 Lobby set
3 comments:
Clint looked at his handsome best in this film.:d
This was the first film my grandfather ever worked with you. He did many others, but have been told this one was gold!
Hello Merwin,
What a great story! I always welcome these sort of stories, as they can provide an original and unique insight. Merwin is it possible you can contact me through the email address provided in my profile, it would be great to talk more on this.
I am not home until next week, but please do get in touch.
The Clint Eastwood Archive
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